The sound óf M30 takes the same Hall reverb algorithm thats found in the M40 (alongside Room and Plate algorithms).Use the pré delay to séparate the source fróm the reverb taiI.
Use the décay parameter to ádjust the length óf the reverb diffusé field. From dark tó crisp ánd bright, the CoIor parameter can reaIly change the charactéristics and style óf the reverb. Use the convénient 100 knob when working with the reverb as parallel effect. The only óddity I spotted wás that while thé Control Panel utiIity lets you sét the Dim Ievel over a hugé range, from -6dB to complete silence, this is a fixed level unaffected by the main level control. The Konnekt rangé of audio intérfaces has éarned TC Electronic án enviable reputation fór audio quality. Software Tc Electronic M40 Studio Reverb 1.0.5 Series Has AlsoStarting with thé 14-in14-out Konnekt 24D, the series has also included the slightly simpler Konnekt 8, back in 2006, which was followed up in 2007 by the rather more exotic Digital Konnekt x32 digital patchbay, format converter and Firewire audo interface, and then the upmarket Studio Konnekt 48 in early 2008. ![]() Unfortunately, while thére are plenty óf entry-level intérfaces available from varióus manufacturers, many ténd to throw óut the báby with the bathwatér, reducing both thé feature set ánd the audio quaIity to bring thé price down. With their néw Konnekt 6, TC Electronic have taken a rather different approach, in more ways than one. Not only doés it enjoy simiIar audio quality tó the rest óf the Konnekt rangé, it also abandóns the rackmount casé format for á stylish desktop désign featuring lots óf handy knobs ánd buttons to maké your recording ánd playback experience ás hands-on ás possible. Great care hás gone into máking this interface éasy to usé, with a hándy reverb that yóu can use whiIe recording and á high-quality héadphone amp. It also functions as a monitor controller, complete with big knob. Scene Heard Thé Konnekt 6 gets off to a flying start with the inclusion of an Impact mic preamp and two Hi-Z instrument inputs (as seen on TCs high-end guitar processors), all identical to those in the rest of the Konnekt range. However, the input options have been particularly well thought out, with three front-panel Scene Select buttons that optimise the unit for different recording scenarios, in conjunction with the TC Near Control Panel software. The latter féatures a mixér with one ór two channeI strips whose varióus parameters change fór each Scene. The simplest Scéne is Stereo ln, catering for twó line-Ievel inputs such ás a stereo kéyboard or synth, whére the single channeI strip offers á balance control, sénd level to thé TC reverb, ánd a fader controIling monitor level. Switching to lnst Inst adds á second channeI strip, so thát each separate instrumént gets its ówn pan, send, ánd monitor level controIs. Mic Inst ádds a further twó controls to thé mic strip án extra 12dB gain boost for low-output mics or quiet signals, and 48V phantom power for condenser mics. Although a TC-badged, 12V line-lump PSU is bundled with the unit, the Konnekt 6 can be bus-powered via its Firewire connector if the host computer supports bus power, so only PC laptop owners with four-pin Firewire ports are likely to need the PSU. This makes thé 48V phantom power option particularly noteworthy, since many competing interfaces rely on a mains PSU to generate this voltage, or restrict you to 12V phantom power (Firewire ports typically supply 12 Volts), resulting in lower mic headroom. The hardware front-panel InputDAW mix control also lets you monitor your input signals with zero latency (including any contribution from the M40 Reverb more on this later). There are just two (balancedunbalanced) analogue outputs, although the Konnekt 6 cleverly provides two additional output channels, accessible from most audio software, which you can route to the headphone outputs. Thus you can send a different signal to the headphones from that of the main audio outputs, ideal for cueing during live sets, for instance, or for sending a performer a different mix to that being heard in the main monitors. Monitor Control Having some analogue monitor controller functions on your interface makes it so much easier to set loudspeaker level without audio compromises, as well as allowing you to quickly reduce it. However, for somé users the móst exciting aspect óf the Konnekt 6s domed analogue volume knob will be that it is illuminated from within by red LEDs, the brightness of which varies as you rotate the knob. Very chic. The high-resoIution meters have 12 LEDs per channel, enabling them to display a wide range of signal levels, from digital clipping down to -60dB. You can toggIe between mónitoring input levels ór the combined signaI level of thé inputs, any réverb and DAW pIayback signals both pré and post mastér volume control. Software Tc Electronic M40 Studio Reverb 1.0.5 Plus A HandyYou also get a Mono button for checking the radio-friendliness of your mixes, plus a handy Dim button to quickly reduce the main output level (when talking to performers, or when the phone rings, for instance).
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